Belated Gift
A year (and change) older, and still dissatisfied. The more things change...
(30.April.2007)




Yardling
The Demigs (self-released)
CD Review (31.July.2007)
 


In Between Days
Glen Reynolds (Idol Records)
CD Review (6.June.2007)
 


The Dd Podcast, Vol. 1
Click here for more information.
(3.May.2007)




My Dinner With Andrew
Ann Arbor's most beloved bloody nose speaks to Dd in an exclusive video interview.
(30.April.2007)




With Her Brights On
Promising Dallas singer Sarah Jaffe talks embarrassment and bluebonnets.
(19.April.2007)




Tea Totaled
Dd asks for one last dance with Deep Ellum's fairest ballroom.
(30.March.2007)




Hold Back The Curse
Hogpig (TXMF Records)
CD Review (21.March.2007)
 


Music City
SXSW, once again, rises beyond the hype and makes room for the best of North Texas.
(19.March.2007)




Wasp In The House
Rising songwriter Chris Garver maps out his inspirations: witches, shamans and juju.
(26.January.2007)




Crain For Mayor 2007
Various Artists
CD Review (23.January.2007)
 


The Local List
North Texas' 10 Best Records of 2006
(19.December.2006)


Locals' Lists
Forget the bloggers and anons; DdFW musicians choose their faves of the year.
(20.December.2006)




Red Monroe
Red Monroe
CD Review (8.December.2006)
 


Picnic Fire Benefit
Concert Review: Sunday, December 3, at the Double Wide
(4.December.2006)




We Hope You Win
Radiant
CD Review (29.November.2006)
 


Niggahlaws
Money Waters (Noir Sound)
CD Review (14.November.2006)
 


Miller Time
Bosque Brown's uncertain future is clarified in an exclusive interview.
(10.November.2006)




Apply Yourselves
Independent music's Spring Break is fast approaching. Which Dallas bands will best represent at the (metaphorical) kegger?
(6.November.2006)




Mercy
Burden Brothers (Kirtland)
CD Review...as a one-act play (2.November.2006)
 

Come and See
Colin Meloy wants you to put the dictionary down and get busy sweeping his chimney.
By Pepper Martin
(25.October.2006)




For New Starts
Dd pulls recent CDs and worthwhile bands back through the cracks. This week: South San Gabriel.
(19.October.2006)



History Will Never Hold Me
The Hourly Radio (Kirtland)
CD Review (17.October.2006)



Intelligent Design
The evolution of Baboon into Dallas' best and loudest rock band took only 16 years, two tastes of major label stardom and a few horse heads.
(13.October.2006)




Attitude Solution
After nearly two decades of frustration, local MCs Pikahsso and Tahiti finally exhale on PPT's Tres Monos In Love.
(4.October.2006)

A Memorial To The Tunnel
The roadblocks in front of Deep Ellum's entrance probably look familiar to local musicians.
(28.Sept.2006)


bigdlittled.com || North Texas & Dallas Music, ©2007 Sam Machkovech: D Nuts || July 10, 2007

D Nuts || July 10, 2007


St. Vincent's record is out in stores today. Since I don't have my Web/FTP software handy, you'll have to accept a CD review on this chunk of the page rather than on the sidebar. I'm sure you can deal. Enjoy! -SM



St. Vincent
Marry Me (Beggars Banquet)


If you're looking for a proper review of Marry Me, stare at its cover, its protagonist. Against a barren background, Annie Clark, the "woman" in this one-woman band, expresses a curious, vulnerable confidence. Perhaps it's the look she thinks she'd give the man crazy enough to actually accept her request for marriage, but more importantly, the album sounds like Clark looks in the photo.


Though ground is not broken on Marry Me, it's certainly battered and sprained. Clark runs through the aggro-political-upright female songwriter canon--from Harvey to Spektor, from Amos to Apple, Clark tacks her last name onto a pretty obvious list. But that kind of description doesn't give the 24-year-old Dallasite enough credit for the unique quality she brings to such a list: sweetness. Whether spitting fire in the pounding "Your Lips Are Red" or piloting a trippy, crashing plane of guitar notes and choir squalls in "Now. Now.", Clark's vocal delivery manages to consistently remain...well, respectfully cocky. Though it's a weird way to put it, it's a fresh change of pace from the deliberately brazen, often over-threatening tone you'd expect from her most recent comrades.


The result might turn off listeners hoping for more blood or tenacity in Clark, but her sharp teeth are most evident in her wit, not her vengeance. Clark's clever turns of phrase never become too coy; in the title track, you'll grin at lines like "Let's do what Mary and Joseph did / without the kid" without having to worry about a cheeky line hiding around every corner.


Though the record is ultimately a bit too scattershot, that fact is understandable on a debut record; unity is abandoned for the sake of stretching muscles, showing off Clark's various wares. And thankfully, as a resume and a sign of things to come, Marry Me doesn't have to beg.
--Sam Machkovech

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All content ©2006 Sam Machkovech, unless otherwise noted. All rights reserved.